Class: F31_Performance

comment "Scope note: This class comprises activities that follow the directions of a performance plan, such as a theatrical play, an expression of a choreographic work or a musical work; i.e., they are intended to communicate directly or indirectly to an audience. Such activities can be identified at various levels of granularity, and can be contiguous or not. Any individual performance (with or without intermissions) is a single instance of F31 Performance. In addition, a complete run of performances can also be seen as an instance of F31 Performance, with individual performances as parts. A complete run of performances may comprise an original run plus any of its extensions and tours. Note that a performance plan may be more or less elaborate, and may even foresee just improvisation. Examples: Performing the first performance of a Yiddish translation of the textual work entitled ‘King Lear’, as directed by Sergei Radlov, in Moscow, at the Moscow State Jewish Theatre, on February 10, 1935 [individual performance] Performing the ballet entitled ‘Rite of spring’, as choreographed by Pina Bausch, in Avignon, at the Popes’ Palace, on July 7, 1995 [individual performance] Performing the operatic work entitled ‘Dido and Aeneas’, as directed by Edward Gordon Craig and conducted by Martin Shaw, in London, Hampstead Conservatoire, on May 17, 18, and 19, 1900 [run of performances] " (en)
label "performance" (en)

http://erlangen-crm.org/efrbroo/121016/F31_Performance